In the opening of Frances Ya-Chu Cowhig’s 410[Gone], Twenty-One (Carolina Do), a college-aged Chinese American, has been desperately trying to contact her deceased brother, Seventeen (Roger Yeh), in the afterlife by instant...
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On June 9, ’Til Madness Do Us Part 《疯爱》 by Chinese filmmaker Wang Bing (王兵) will have its North American premiere at Anthology Film Archives. Most famous for West of the...
HER Gaze, an exhibition currently on view at the Taipei Economic and Cultural Office in New York near Bryant Park, abounds with the strong visual imagery of twenty works by eight...
Those who went to the New Museum Triennial last year might still remember a juxtaposition of an iPad on a pedestal with a worker’s uniform, ID card, and contract on...
Past the front gallery at Klein Sun Gallery where Geng Xue’s Borrowing an Easterly Wind contemplates spirituality and philosophy of tradition, humanity, and environment, Ying Zhu‘s Live Like an Astronaut is an imaginative and playful escapist experience that...
In his debut Golden Horse-nominated feature film, Nezha 《少女哪吒》, Director Li Xiaofeng does a great job in bringing the novel of the same name to the big screen. Its story...
Photographer Gu Zhongsheng’s (顾忠升 / 顧忠升) first New York solo show Gradually Fog Up, presented by Jing Arts Project, attracted gallery goers from different parts of the city and proved a...
The wildly fantastical Lu Yang Arcade and Lu Yang Video Room surveys works from Shanghai-based artist Lu Yang (?? / ??) that imagine a sci-fi world where man has mastered...
In Chinese culture, balance is harmony, and a lack of balance is the cause of all ills, be it social, spiritual, or physical. In two projects exhibited at somewhat unconventional...
With its rhythmic name and its size, the La MaMa Experimental Theater Club is an apt venue for Beijing’s renowned Red Poppy Ladies’ Percussion’s (??????? / ???????) production of Mulan...