I always find it fitting that, on the cusp of my high school graduation, I discovered the play M. Butterfly by David Henry Hwang. Its story of an affair between...
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![Review: ‘410[Gone]’ Talks About Cultural Identity Without Talking About It](https://i0.wp.com/www.beyondchinatown.com/wp-content/uploads/2017/06/img_7335.jpg?resize=335%2C256)
In the opening of Frances Ya-Chu Cowhig’s 410[Gone], Twenty-One (Carolina Do), a college-aged Chinese American, has been desperately trying to contact her deceased brother, Seventeen (Roger Yeh), in the afterlife by instant...
Last December, a rumor on social media that the renminbi, China’s currency, dropped sharply in value against the dollar caused a panic among many Chinese, including students who live abroad and rely...
Walk down a street in any New York neighborhood, and there’s a good chance you’ll see a store or restaurant that wasn’t there a couple of weeks ago. With new...
Smartly adapted from the 1999 play 《眉间尺 》(The Swordsmith’s Son: A Revenge Play) by award-winning Chinese playwrights Huang Weiruo (黄维若) and Feng Baiming (冯柏铭), Behind the Mask, A Play is...
I’ve lived in New York City for some time and have known it to be an impermanent place for the under-30 crowd. Yet, it had not occurred to me until...
The Taipei Economic and Cultural Office (TECO) in New York has been pretty active of late, and we’re excited that it’s supported Spotlight on New York: 2015 Taiwanese Student Film...
China Shanghai International Arts Festival (CSIAF) has launched a groundbreaking new project, Rising Artists Works, a platform that commissions young, emerging artists from across China. Asia Society and Performance Space...
With its rhythmic name and its size, the La MaMa Experimental Theater Club is an apt venue for Beijing’s renowned Red Poppy Ladies’ Percussion’s (??????? / ???????) production of Mulan...